This post is in partnership with Consequence of Sound, an online music publication devoted to the ever growing and always thriving worldwide music scene.
When The Next Day was announced, speculation ran rampant. The first single, “Where Are We Now?”, presented David Bowie musing on the Berlin he inhabited almost 40 years ago. The radical album art defaces the centerpiece of his “Berlin Trilogy,” “Heroes.” Tony Visconti, his frequent collaborator who produced that period, was back. It was all quite transparent: after 10 years between albums, Bowie hasn’t returned to shelve out some catchy art rock, he’s come back to make a statement.
You can chalk “what is that statement?” up on the list of puzzles to solve. The Next Day is a dense and varied body of work that Bowie has all but outright challenged fans to cross examine. Invoking the “Berlin Trilogy” suggests that The Next…
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